February has been a great month of reading: we’re only two weeks in, and I’ve already finished four (!!!) books! The latest book I read was Stubborn Archivist, a novel about a young, half-British/half-Brazilian woman navigating adult life in London, and trying to make sense of who she is.
The book: Stubborn Archivist by Yara Rodrigues Fowler
Genre: Literary fiction
Rating: 3 stars out of 5
Stubborn Archivist was an interesting read, and one of the reasons why was its use of language and formatting. There are interesting line breaks throughout the novel, and also (very intentional) omissions of punctuation. These features give the book a very poetic feel, and even give some parts of the novel a sort of surreal quality.
I also liked how – through the lens of the protagonist’s experiences – author Rodrigues Fowler portrays the challenges of looking “different” or “foreign” in your own country. Without having experienced any of the micro-aggressions portrayed in the novel, I really felt for the protagonist, who repeatedly deals with men exocitizing her because of her ethnicity, and people making assumptions about her ability to speak intelligently. Books that demonstrate these challenges are vital because they give voices to cultural phenomena that are common and important, but still not discussed enough in mainstream media.
At the same time, many of the protagonist’s experiences were familiar to me (someone who is not considered “different” looking in their own country). Being steamrolled or ignored by well-intentioned people who assume you have nothing to say, passing up invitations to socialize and drink with coworkers because alcohol upsets your stomach, obsessing over what if situations before a date – these were all so relatable! These relatable moments illustrate how some experiences and feelings are universal, and have the ability to transcend culture, language, and geography.
My main critique of Stubborn Archivist is that it feels…unfinished. The whole novel is so ambitious: in the stories it tells, the timelines it follows, and the creative formatting and language it employs. But at times it feels like Rodrigues Fowler sets out to do so many things, that sections end up feeling incomplete and blurry. The gaps in the novel may be intentional (the title of the book gives me reason to think it is), but I personally prefer less “blurry” narratives.
Overall, I enjoyed Stubborn Archivist and appreciated its story and main character. I recommend this book, because it is a different read, and because it shares interesting perspective that many people could benefit from reading. Just know in advance – if you do read this book – that the formatting is a bit surprising at first and that some parts of the novel have a sort of unfinished quality.