Women’s Prize for Fiction 2020: Shortlist Reaction

This year I decided to read my way through the Women’s Prize for Fiction longlist. I’ve currently read 10 out of 16 of the longlisted titles, with plans to read four more. Today, the six books that advanced to the shortlist were announced; they are:

Girl, Woman, Other by Bernardine Evaristo
My rating: 5 stars out of 5 [review]

This was my favorite read from the WP longlist, and I would have been furious if it didn’t advance to the shortlist. I found this book to be so fresh and ambitious. From the writing style, to the social commentary, to the complex characters, everything in this novel really worked for me. And of all the books on the longlist (that I’ve read so far), this one painted the most nuanced picture of womanhood. I would be very happy to see this win the Women’s Prize.

Weather by Jenny Offill
My rating: 4 stars out of 5 [review]

This was one of the more polarizing reads on the longlist, due to the novel’s inner-monologue writing-style and lack of plot. While I thought it was brilliantly compelling and intimate, other readers found it boring. Despite its mixed reception, this book was very skillfully written, and its focus on coping with uncertainty in a rapidly-changing world makes it an unsurprising choice for the shortlist. That said, I’m still not rooting for this one to win the prize because it wasn’t nearly as impactful as Girl, Woman, Other.

A Thousand Ships by Natalie Haynes
Currently reading
Current rating: 4 stars out of 5 (subject to change)

Another unsurprising shortlist choice, since the WP judges seem to have a soft spot for Greek mythology and Trojan War retellings (last year both Circe and The Silence of the Girls advanced to the shortlist). I do think A Thousand Ships deserves its place on the shortlist, though. While perhaps not the freshest novel, it is well-written and features well-balanced characters and nuanced takes on womanhood.

Dominicana by Angie Cruz
My rating: 2 stars out of 5 [review]

This was my least favorite read from the WP longlist. Dominicana had the potential to tell an immigration/American Dream story in a nuanced and historically interesting way…but instead it followed all of the tropes that you would expect. I won’t launch into my disappointment over this novel all over again (I already did that in my review), but I am surprised to see the WP judges shortlist a novel where the most well-developed character was the abusive husband.

Hamnet by Maggie O’Farrell
TBR

I’ve read nothing but positive reviews for this novel, so I’m excited to see it on the shortlist (and equally excited to read it soon).

The Mirror & The Light by Hilary Mantel.
TBR

I’m not surprised to see this on the shortlist. I’ve seen overwhelmingly positive reviews for this book, and the first two books in Mantel’s Wolf Hall trilogy received a lot of literary acclaim. I’m really looking forward to reading this, and seeing if it lives up to the hype! And since the winner announcement has been postponed until September, I actually feel confident that I’ll be able to read the entire Wolf Hall series by then!

With only one seriously objectionable book (Dominicana), this year’s shortlist doesn’t seem so bad if you look only at the individual books that comprise it. Given the number of longlisted books that were just fine, but not particularly inspiring, memorable, or insightful, the judges did a pretty good job in advancing only deserving contenders to the shortlist.

But looking at the shortlist as a whole, I wonder: are three historical fiction novels really necessary? And do all three of the shortlisted HF novels need to be Eurocentric? Specifically, I wonder why How We Disappeared or Djinn Patrol on the Purple Line weren’t shortlisted? Of all the books on the WP longlist, these were two of the most universally well-received by fellow WP bloggers. And with three historical fiction novels written by white authors on the shortlist, their exclusion feels especially weird.

Speaking of white authors, this shortlist is not very diverse in terms of authorship! One author is Dominican-American, one is British and black, one is a white American…and the remaining three authors are white women from the UK. The inclusion of How We Disappeared or Djinn Patrol on the Purple Line not only would have made the shortlist more interesting thematically, but also more diverse in terms of authorship.

So while (most of) the individual books comprising the Women’s Prize for Fiction Shortlist do seem to merit their spot there, the list as a whole feels redundant and somewhat lacking. I guess this shouldn’t come as a shock, since the longlist could also be described as redundant and lacking (that’s another post for another time, though). I will be rooting for Girl, Woman, Other to win, but I suspect that it won’t be chosen since it already won the Booker Prize. The book that I think will actually win is The Mirror & The Light.

To end on a more positive note…one of the best parts of reading the Women’s Prize for Fiction longlist has been reading the posts of fellow book bloggers who are also following the award. I probably would have burnt out on the longlist weeks ago were it not for daily engagement with fellow bloggers. If you’re not following them already, definitely check out Gilana, Callum, Naty, Emily, Rachel, Hannah, Beth, and Corey‘s book blogs!

Month in review: January 2020

Is it just me, or did this January seem to stretch on for an eternity? It wasn’t a particularly eventful month for me, and the interesting things that did happen in my life were…not great. It was a good month of reading, though, and that’s what this post is about!

Books read:

Books in progress/goals for February:

I’m currently reading Mobituaries by Mo Rocca. The book is a tribute to influential people who didn’t get the obituary they deserved, or whose accomplishments and legacy seem to have been forgotten. I’m really enjoying this book so far, and will have a review up sometime next week.

In February, I plan to read at least these three books: Lot by Bryan Washington, Conversations with Friends by Sally Rooney, and Catch and Kill by Ronan Farrow.

Year of Yeh project:

This year, I’ve been posting about my goal to cook every recipe in Molly Yeh’s cookbook Molly on the Range. In January, I made five recipes from the cookbook. If I continue at this pace, I will end up making about 75% of the recipes in the cookbook (which I would definitely be happy with). The recipes I’ve made so far are: spaghetti & meatless balls, plain challah, scallion pancakes with carrot slaw, tahini blondies, and goulash with bread dumplings (pictured below in that order).

Notable blog posts:

I read so many wonderful blog posts and did a better-than-average (my personal average, that is) job of engaging with other bloggers this January. But I forgot to save my list of notable blog posts! I will remember to keep track of them in February.

Quotes/advice that helped me this month:

  • “There will always be someone who can’t see your worth. Don’t let it be you.” (this was posted on Vee’s blog, Millennial Life Crisis)
  • “Empathy without boundaries is self-destruction.” – unknown
  • “All my life had been muck and depths, but I was not a part of that dark water. I was a creature within it.” – Madeline Miller, Circe

January photo dump:

Book Review: Girl, Woman, Other

The book: Girl, Woman, Other by Bernardine Evaristo
Genre: Contemporary fiction
Rating: 5 stars out of 5

Earlier this week, I finished Girl, Woman, Other by Bernardine Evaristo. This book of short stories – each from the perspective of a different black woman living in modern-day Britain – encompasses what it is like to live in post-Brexit Britain.

Girl, Woman, Other did an outstanding job of portraying many unique perspectives on modern-day Britain. Each character’s chapter reveals how their particular life experiences have shaped their perceptions of today’s world. As women (or non-binary people) of color who immigrated to Britain (or are recent descendants of immigrants), the characters have all experienced their fair share of struggle, and the book consistently addresses the issues that have affected them. Amazingly, author Bernardine Evaristo weaves these issues into the story in a very sincere and organic way – it never feels like the commentary on sexism, racism, xenophobia, or homophobia is forced or out-of-place.

To dig a bit deeper than that, I really appreciated how this book shows multiple perspectives on what it means to be a black woman in today’s world. So often, people of color are expected to be a “spokesperson” for their entire race. By featuring twelve women of color with very different life experiences, Evaristo refutes the idea that there is just one definition of what it means to be a person of color in today’s world.

I also found this book to be overwhelmingly positive, which was refreshing. While, yes, all the characters in this book have faced major obstacles in their lives, so many of the characters overcome those obstacles and achieve wonderful things. Amma, after years of being rejected by mainstream theatre companies, makes her way into the establishment and becomes wildly successful. Bummi, despite being orphaned as a child and then losing her husband at a young age, finally ends up living the peaceful life she has always dreamed of. I absolutely loved that this book balances great struggle with great triumph.

Finally, I loved the way this book was structured. There are no capital letters at the beginning of sentences, oftentimes no punctuation where there traditionally would be, and interesting line breaks in the middle of sentences. This made the book feel slower, gentle, and poetic – even when the events described in the book were quite dramatic (or traumatic). It also made sentences and stories flow in a way that felt very natural, making the book hard to put down.

Girl, Woman, Other was incredibly ambitious in the stories it set out to tell – and (in my opinion) it was wildly successful. This book is bold and sharp, but also poetic and beautiful. It is also incredibly astute, hitting the nail on the head with regard to pertinent issues in today’s world. I whole-heartedly recommend this book, and hope to see it on the Women’s Prize for Fiction longlist.