Last month I read Dear Girls by comedian and actress Ali Wong. The book is a collection of life-lessons that Wong has learned and wishes to share with her daughters. The book covers topics such as dating, travel, and work. The stories are intimate, shocking, often filthy, and pretty funny.
I had mixed feelings about Dear Girls, but one thing that I loved about it was that it’s frequently laugh-out-loud hilarious. I read Dear Girls on an airplane, and couldn’t stop myself from laughing out loud while reading it. Ali Wong is an incredible stand-up comedian (if you haven’t seen her comedy, I recommend the Netflix special Baby Cobra), and also, somehow, just as hilarious as a writer.
At the same time, Dear Girls wasn’t always funny to me. I found myself surprised and even disappointed by some of the perspectives Wong shared in the book. In particular, she makes light of homelessness a lot and also tells a story whose punchline is essentially: “The guy I was dating turned out to have a personality disorder! Good thing he didn’t murder me!” So I really disliked that.
But what really turned me off of this book was the fact that Wong shares all these compelling stories about the difficulty of motherhood, and what it’s like to balance being a mom and having a career…but never mentions the fact she has a nanny! The nanny is only mentioned in passing in the husband’s afterword. Don’t get me wrong – I don’t think that there is anything wrong with having a nanny if you have the means, and I don’t think that having a nanny makes you any less of a parent. What I take issue with is the lack of transparency: the barely-mention of having a nanny is dishonest, and makes the book feel insincere.
All in all, I thought that Dear Girls was a funny book, but it’s definitely not for everyone. If you like Ali Wong’s comedy, you will probably like her book (some of the stories are easy to imagine in her voice, which makes them even funnier). However, a few of Wong’s jokes are based upon outdated stereotypes, which is disappointing.
—3 stars out of 5—
The bake: chocolate cookies with chocolate glaze.
With the bake for Dear Girls, I wanted to accomplish two things. First (and perhaps obviously) I wanted to bake something inspired by the bake. And secondly, I wanted to get into the holiday spirit! So I decided to make glitzy sprinkle cookies.
For sprinkle cookies, any cookie recipe and any glaze will work. I decided to make chocolate cookies, because I already had leftover cookie dough in my freezer from the last time I made them. I decided to frost them with chocolate glaze, because I absolutely love a decadent double-chocolate dessert.
These cookies take a while to make – because the dough undergoes two separate chilling periods in the refrigerator – but the rich, chocolatey treats are well worth the wait. And the chocolate glaze on top takes these cookies to the next level; I highly recommend doing the chocolate-on-chocolate. The sprinkles don’t really add anything taste-wise, but they make the cookies look so much more festive and inviting! A glitzy, bold bake for a bold book.
Last week I read Welcome to Night Vale, Joseph Fink and Jeffrey Cranor’s fiction/mystery/fantasy novel inspired by their hit podcast of the same name. The book follows the independent lives of two Night Vale women: Jackie Fierro, a 19-year-old owner of the town’s pawnshop who has been stuck at age 19 for what feels like centuries and cannot remember her childhood, and Diane Creyton, a working single mother of a 15-year-old shape shifter. Eventually, their stories intersect and the two join together on an adventure to the mysterious town of King City.
Welcome to Night Vale is certainly weird – creepy, even. Night Vale is a world in which children get piñatas full of bees on their birthdays, angels named Erika are part of the community (though you mustn’t acknowledge that they are, in fact, angels), there is a 24-hour diner where a tree serves invisible coffee to customers, and – oh yeah – time just doesn’t work there. These things (and more) all set Night Vale apart as a weird and mystical place, but other aspects of Night Vale felt unnervingly familiar: there is a general mistrust of science, the government forces citizens to acknowledge facts that are contrary to reality, and there are police officers who “instead of looking after our interests, work under arbitrary authority to unfairly target and extort those who are least able, societally, to fight back.” I found it fascinating that since the novel’s publication (in 2015), America has become a lot more like Night Vale (or maybe these similarities were always here, and I just didn’t notice until recently). In this way, Welcome to Night Vale struck me as surprisingly profound.
Other, less dark, descriptions of life in Night Vale were also profoundly relatable. Take, for example, this description of the Moonlite All-Nite, a 24-hour diner that appeals to individuals dining solo: There is nothing more lonely than an action taken quietly on your own, and nothing more comforting than doing that same quiet action in parallel with fellow humans doing the same action. This simple description of solo-dining is so deep and instantly relatable! Perhaps this is what makes Welcome to Night Vale so compelling: despite taking place in a dark and creepy fantasy world, the authors describe mundanity and humanity in profound and poetic ways that immediately resonate, and make us feel connected to the odd land of Night Vale.
There were only two things that I didn’t like about Welcome to Night Vale. The first was the interweaving of “the voice of Night Vale” passages. These are chapters that are written as radio broadcasts from Night Vale Community Radio station. I understood the idea behind this – the Welcome to Night Vale podcast is presented entirely as a radio broadcast to its citizens (for those who haven’t listened: think Prairie Home Companion but creepier) – but in the novel, these passages just weren’t very effective. In my opinion, they did not illustrate anything that the 3rd-person narrative chapters couldn’t.
The other issue I had with Welcome to Night Vale was the ending of the story. A couple components of the mystery just weren’t resolved satisfyingly (and there’s one thing that wasn’t really resolved at all). For the first 350 pages, Welcome to NightVale was a compelling and addictive page-turner that I couldn’t put down. Then, near the end of the book, the mystery is explained to the protagonists who have gone through so much (including sprinting through a hellish horror-library and somewhat losing their minds) to solve it…and I just found myself thinking “that’s it?” I was a bit underwhelmed, but maybe that was the point, because the protagonists seemed pretty miffed about the explanation too. As I type this, I feel pretty sure that the underwhelming explanation of the mystery was probably intentional.
So Welcome to Night Vale is mysterious, weird, intriguing, and moving. Would you believe me if I told you that, on top of all of that, it’s also funny? Well, it is. This passage, for example, had me laughing out loud at midnight while my fiancé tried to sleep: …attacking a person with a hatchet…is technically a crime. But Leann made it work by engaging in semiotic arguments with law enforcement about what is assault and what is a business plan. Also this gem: Ralph’s…offering fresh food and low, low prices, although never at the same time.
All in all, Welcome to Night Vale is a great read. As a mystery novel, it is compelling and nearly impossible to put down. Night Vale is simultaneously strange and relatable, making the fictional fantasy world surprisingly endearing. And, of course, the writing is beautiful, moving, and oftentimes funny.
The bake: “Mostly void, partially stars” cake.
For Welcome to Night Vale, I decided to bake a cake based on the phrase used to describe the Night Vale sky in chapter 1 of the novel: “Mostly void, partially stars.” It seems that “mostly void, partially stars” has become emblematic of Welcome to Night Vale fandom. You can find clothing, fan-art, and even tattoos inspired by this quote.
Because it’s the holiday season here in the U.S., I also wanted this cake to be seasonally festive. I chose a white chocolate cake with cranberry curd filling and cream cheese frosting. I colored the frosting purple using gel food coloring because I associate Night Vale with purple (probably since the podcast logo and novel’s cover are both this color). I also decorated the top of the cake with silver and gold sprinkles to look like stars. But not too many sprinkles because it should be mostly void, only partially stars.
This was the hardest cake I have ever made, and I am happy with how it turned out. As you can probably tell from the picture below, I had difficulty cutting the cake horizontally and filling it. But that is fine. Every component of the cake worked, and that in itself was an accomplishment (I had never successfully made a curd before, I was so worried that it wouldn’t set). And the cake as a whole is delicious: the sponge is rich and buttery, the frosting is sweet, and the curd is wonderfully tangy. Taken together, each component of the cake blends to create a delightfully satisfying dessert. Also, an added bonus: when you cut into the cake, a bit of curd spills out from the center; a bleeding cake seems very Night Vale.